with notes on voice, range, plumage, and the workshop that bred them.
The Horus Fuzz is a ToneBender variant, capable of an enormous array of fuzz tones from voltage-starved velcro to thick harmonic sludge.
Meet the Reedhaunter: a fuzz-drenched reactive delay. The envelope-controlled delay follows your dynamics perfectly, warping the pitch and trailing off into a hazy, warm fuzz, like vintage magnetic tape melting in the sun. With tracking turned down, an a subtle delay, the pedal has a uniquely resonant, woody fuzz texture - like a woodwind instrument. With tracking turned up and delay extended, there's nothing subtle about this pedal, which can become a disorienting warbling wall of noise. Put on your boots, wade into the marsh, and see what kind of beautiful, glitchy songs you can catch before the sun goes down.
The Buffalo Weaver Overdrive is a modern iteration of the classic DIY circuit from the archives of Guitar Magazine. This pedal was designed to bridge the gap between the Tube Screamer and the Tone Bender. It delivers that 'bent' vacuum tube tone in a small enclosure.
For tone hunters seeking a highly dynamic, low-to-medium gain drive for their pedalboard habitat, the Honeycreeper Overdrive has officially arrived. This pedal delivers a warm, sweet tone, akin to running a treble booster into a cranked tube amp. Just like its namesake with a curved beak for reaching hidden nectar, the Honeycreeper lets you access sweet sonic sweet spots. It also cleans up beautifully the second you roll back your guitar’s volume knob.
The Tui Overdrive is inspired by the classic 1960s Supro amps that defined the 'small-box' growl - amps used by guitarists like Jimmy Page, Brian Setzer, and Dan Auerbach. The Tui Overdrive is a winner: it's a great engine for your pedalboard - with the warm, rich nectar sound of vintage tubes.
